A Horse Affrighted At A Lion

Technique: Giclée quality print
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More about this artwork

This artwork, "A Horse Affrighted At A Lion" by George Stubbs, is a gripping representation that captures a dynamic and intense encounter between two majestic creatures. The painting features a pale, almost white horse in a state of evident alarm and distress, rearing up on its hind legs. Its eyes wide and mouth open, the horse's expression and posture convey fear and an instinctual response to danger.To the right, a lion—depicted with a calm yet intense gaze—sits with a somewhat passive demeanor compared to the agitated horse. The contrast in reactions between the two animals adds a dramatic tension to the scene. The lion, with its rich mane and powerful body, appears unmoved, yet its presence is undeniably commanding.The setting suggests a rugged, natural landscape, possibly a cave or rocky terrain, which emphasizes the wildness and unpredictability of this encounter. The use of monochrome shades in the artwork enhances the dramatic effect, focusing the viewer's attention on the textures, expressions, and the emotional resonance of the moment rather than the distractions of color.Overall, George Stubbs, renowned for his ability to depict animals with anatomical preciseness and deep emotional undertones, uses this piece to explore themes of fear, survival, and the natural instincts of animals. The artwork not only showcases his skill as a painter but also invokes a reflection on the primal interactions within the animal kingdom.

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George Stubbs (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. He enjoyed royal patronage. His painting, Whistlejacket hangs in the National Gallery, London.