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Design for the cover of the almanac ‘The Blue Rider’ III (1911) reproduction of painting by Wassily Kandinsky. ALL GICLEE PRINTS

Design for the cover of the almanac ‘The Blue Rider’ III (1911)

Wassily Kandinsky
Technique: Giclée quality print
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This painting by Wassily Kandinsky, titled "Design for the cover of the almanac ‘The Blue Rider’ III (1911)," is a vibrant and intriguing work, rich with symbolic elements and abstract forms, which is characteristic of Kandinsky's style.At the top of the composition, two large, crescent-like shapes meet at the center, creating a circular form that might be interpreted as the sun or moon, due to the radiating blue and yellow colors. The name "DER BLAUE REITER" (The Blue Rider) is prominently displayed in this section, indicating its purpose as a cover for the almanac.Beneath this, in the center of the composition, is a circular image featuring what appears to be a white horse and a rider against a dark blue background, highlighted by a yellow area that could suggest movement or light. The horse and rider motif resonates with the name of the almanac, "The Blue Rider," where the horse often symbolizes freedom and spiritual pursuit, themes dear to Kandinsky and central to the Blue Rider group's philosophy.The background adds a dynamic quality with abstract elements that include what appear to be clouds or fantastical forms, and green diagonal lines suggesting rays of light or energy.

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Wassily Kandinsky
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Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

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