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Head Of Simone In A Green Bonnet With Wavy Brim reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Head Of Simone In A Green Bonnet With Wavy Brim

Mary Cassatt
Technique: Giclée quality print
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"Head Of Simone In A Green Bonnet With Wavy Brim" by Mary Cassatt is a compelling pastel work that beautifully captures the innocence and charm of a young child. At the forefront of the painting is Simone, depicted with a gentle and somewhat contemplative expression. Her eyes, tinged with a hint of pensiveness, gaze outward, drawing the viewer into her world.The portrait is notable for its vibrant and expressive use of color - the green bonnet, a prominent feature, sweeps dramatically across the composition, its wavy brim adding a dynamic quality to the piece. The green hues of the bonnet contrast strikingly with the soft pink and cream tones of Simone's face and the frilly garment she wears.Cassatt's mastery in handling pastels is evident in the way she blends colors and textures, creating a sense of softness that is almost tactile. The background of the painting is minimally detailed, using neutral earth tones that serve to further highlight the subject.This piece is a fine example of Cassatt's skill in capturing the nuances of human expression, particularly in her portraits of children, which often evoke a deep sense of empathy and connection. The emotional depth paired with the subtle interplay of colors makes this painting a poignant reflection on childhood.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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