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Still Life No. 2 (circa 1921 –23) reproduction of painting by Marsden Hartley. Still-life
Still Life No. 2 (circa 1921 –23) reproduction of painting by Marsden Hartley. Still-life

Still Life No. 2 (circa 1921 –23)

Marsden Hartley
Technique: Giclée quality print
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Marsden Hartley's "Still Life No. 2" (circa 1921–23) offers a compelling example of the artist's unique approach to the traditional genre of still life painting. Rendered with bold, expressive brushstrokes, Hartley's composition brings together a harmonious yet dynamic array of objects that evoke both a sense of abundance and introspection.At the center of the painting, a bowl prominently displays assorted fruits, their forms simplified yet vibrant in color, capturing the viewer's attention against the subdued background. Surrounding the central bowl are sections of sliced fruit and berries, their internal textures and hues contrasted astutely against the darker tones of the background. Hartley's technique of applying thick, visible strokes of paint enriches the image with texture and depth, adding an almost tactile quality to the depicted items.This still life transcends mere representation of everyday objects, inviting viewers to ponder more deeply about the essence and beauty of the ordinary. Hartley's masterful use of color and form not only highlights his skill as a painter but also his capacity to infuse a static scene with life and emotion.

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Artist
Marsden Hartley
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Marsden Hartley (1877–1943) is a Maine native and a leading American Modernist painter, along with his contemporaries, Arthur Dove and Georgia O’Keeffe. He is well-known for employing geometric abstraction as well as bold colors and lines. His paintings depicted imagery of nature, landscapes, figures, and still-life. Sponsored by Alfred Stieglitz, Hartley went to Europe in 1912, spending most of his time in Germany, where he met Gertrude Stein, Wassily Kandinsky, and Franz Marc. After returning to America in 1930, he reconnected with the New England of his childhood and started to portray the landscapes of New England in his paintings.

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