Still Life with Bottle, Glass, and Lemons (1867–69)

Technique: Giclée quality print
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More about this artwork

Welcome to a glimpse into the artistic vision of Paul Cézanne, showcased in his painting, “Still Life with Bottle, Glass, and Lemons” created between 1867 and 1869. This painting is an exquisite example of Cézanne’s profound influence on the still life genre, manifesting his penchant for exploring the depth of ordinary objects through art.The painting presents a carefully arranged composition featuring everyday items—a bottle, a glass, and lemons. The central focus is on two bottles, one cloaked in dark hues with a striking red label, and another displaying a lighter tone, creating a captivating contrast that draws the viewer’s eye. Next to these, a glass filled with a dark, reflective substance (perhaps wine) adds to the complexity of the scene with its semi-transparent qualities and subtle reflections.Beneath these, Cézanne places a trio of vibrant yellow lemons, which rest on a dark green leaf, providing a burst of color against the muted background. The simplicity in the depiction of these lemons contrasts dramatically with the textured rendering of the glass and bottles, illustrating Cézanne's masterful control of color and form.The background is reserved, painted with dark colors that enhance the still life setup, making the objects stand out with an almost luminous quality. This effect not only focuses attention on the composition’s elements but also adds a layer of depth and introspection to the overall scene.“Still Life with Bottle, Glass, and Lemons” is more than just a depiction of inanimate objects. It is an exploration of light, shadow, and color dynamics—a testament to Cézanne’s role as a precursor to modern art, influencing movements such as Cubism. Each element within this painting invites viewers to paused contemplation, making it a profound piece for both art lovers and casual viewers alike.

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Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century.