Gray Weather (ca. 1886–1888)

Technique: Giclée quality print
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More about this artwork

This painting captures a tranquil riverside scene depicted through the pointillist style, utilizing tiny, distinct dots of color which blend into a vibrant kaleidoscope when seen from a distance. A curve of the riverbank lined with dense foliage leads the eye away from the foreground, where two small boats are moored against a gentle slope. The river, occupying the central part of the composition, reflects a grey sky, possibly indicating overcast weather. On the further side of the river, there is a glimpse of a town with buildings rendered in soft, muted tones.

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Georges-Pierre Seurat (1859–1891) was a French artist and painter. Seurat's paintings were known for vibrancy of color and the use of tiny brushstrokes of contrasting colors. His intense interest in line, color, color theory, and optical effects formed the basis of Divisionism, whereas the use of layering small brushstrokes and dots formed the basis of Pointillism. His iconic late 19th-century painting, "A Sunday Afternoon on the Island of La Grande Jatte" (1884), paved the way for the initiation of Neo-impressionism.

Seurat was only 31 when he died, yet he left behind an influential body of work, comprising seven monumental paintings, hundreds of drawings and sketches, and around 40 smaller-scale paintings and sketches. Although his oeuvre is relatively small in quantity, it had a lasting impact. He was among the first artists to make a systematic and devoted use of color theory, and his technical innovations influenced many of his peers.