Young Woman with a Lute (ca. 1662–63)

Technique: Giclée quality print
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More about this artwork

Welcome to an exquisite exploration of Johannes Vermeer's "Young Woman with a Lute", an oil painting dating back to around 1662-63. This artwork, often admired for its subtlety and depth, provides an intimate glance into a serene moment captured forever by Vermeer's deft brushstrokes.The painting depicts a young woman, bathed in a soft stream of natural light from the window beside her, creating an effect that gently highlights the delicate textures of her attire and the lute she holds. The scene situates her in a quiet room, largely in muted tones, where she appears to be tuning her lute or possibly pausing in preparation to play.A prominent feature in the background is a wall map, rendered with impressive attention to detail, suggesting a world beyond the room, a thematic element that adds a layer of contemplation about the woman’s thoughts or dreams. The atmosphere is reflective, underscored by the tranquility of her engagement with music.Every element of this painting—from the positioning of the young woman to the interplay of light and shadow—exhibits Vermeer's skill in capturing the essence of daily life and the emotion of quiet moments. "Young Woman with a Lute" is not just a visual experience but an invitation to ponder the beauty of stillness and the timeless resonance of music in our lives.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death.