A Maid Asleep (ca. 1656–57)

Technique: Giclée quality print
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More about this artwork

"A Maid Asleep," painted by Johannes Vermeer around 1656-57, is a captivating example of the artist's keen ability to depict serene, intimate moments with great emotional depth and technical skill. The painting depicts a young maid who has fallen asleep at a table in a dimly lit room, her head resting gently on her hand. Her serene expression and relaxed posture invite viewers into a quiet, private world.The table before her is covered with an ornate oriental rug and holds several items that suggest the narrative of a recently concluded meal or social gathering: an overturned goblet, a pitcher, and a platter with remnants of food subtly hint at the story behind her fatigue. The rich colors and intricate textures, such as the tapestry and the maid's satin bodice, showcase Vermeer's meticulous attention to detail and mastery in rendering different materials.The open door in the background of the scene hints at another room, adding a layer of depth and mystery to the composition. This element, along with the muted palette and the careful play of light and shadow, are characteristic of Vermeer’s work, demonstrating his exceptional ability to create atmospheric depth and perspective."A Maid Asleep" not only highlights Vermeer's technical prowess but also his profound understanding of the subtleties of human emotion and the beauty found in everyday life.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death.