Cephalus and Procris (The Death of Procris) (c.1595–1600)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

This striking painting titled "Cephalus and Procris (The Death of Procris)" is a masterwork by Dutch artist Joachim Wtewael, created around the years 1595 to 1600. This artwork delves into the realms of mythology, vividly bringing to life a tragic tale from Ovid's "Metamorphoses."In the painting, the scene unfolds with Cephalus, depicted in a state of distress and sorrow, tending to his dying wife, Procris. The drama of the moment is captured through intense expressions and dynamic poses. Procris is shown reclining, her body draped in flowing pink and white fabrics that emphasize the gravity of her condition, with an evident wound near her heart, illustrating the fatal misunderstanding that led to this sorrowful end.Wtewael's use of vibrant colors and dramatic contrasts heightens the emotional impact of the scene. The lush greenery in the background complements the figures' turmoil, underscoring the natural setting of their mythological story.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Joachim Anthoniszoon Wtewael was a Dutch Mannerist painter and draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht. Wtewael was one of the leading Dutch exponents of Northern Mannerism, and his distinctive and attractive style remained largely untouched by the naturalistic developments happening around him, "characterized by masterfully drawn, highly polished figures often set in capricious poses".