Foire De Village (1788)

Technique: Giclée quality print
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"Foire De Village" is a captivating 18th-century painting by French artist Charles-Melchior Descourtis, offering a vibrant glimpse into rural festivities of the era. The scene is set in a lush, wooded landscape that opens up to a lively village fair. The masterful use of light and shadow conveys both the energy and the tranquility inherent in such gatherings.At the center, an elegantly dressed woman garners attention, epitomizing the fashion and grace of the period. She is surrounded by a multitude of characters, each depicted with individual care and detail that suggest their roles in the rural community—from peasants and vendors to entertainers and onlookers. Particularly striking is the harlequin—a figure in distinctive patchwork attire—interacting playfully with children near a temporary stage, hinting at the theatrical performances common at such fairs.To the left, a trio of dogs adds a touch of liveliness, emphasizing the theme of community and animal companionship in rural festivity. Market tents peek from the backdrop, suggesting the sale of goods and the wide array of activities available. The overall composition, with its detailed portrayal of figures and nature, invites viewers to immerse themselves in a moment of 18th-century joy and community spirit.Descourtis's "Foire De Village" not only captures a festive scene but also serves as a historical document, preserving the nuances of rural life in late 18th-century France.

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Charles-Melchior (b. 1753, Paris, d. 1820, Paris) was a pupil of Jean-François Janinet and, like him, specialized in the production of colour prints using aquatint and wash-manner. Among his earliest known works is a series of four engravings of views of Paris and Rome after paintings by Pierre Antoine de Machy, which appeared in 1784. He collaborated with Janinet on the illustrations for Vues remarquables des montagnes de la Suisse (1785), which were engraved after several artists. He is best known, however, for his four colour prints after the genre scenes of Nicolas-Antoine Taunay, notably the Village Wedding (1785) and its pendant, the Village Fair (1788). The subtle green tones of the landscape setting, complementing the white and red of the small figures, successfully convey the gentle mood of Taunay's rural scenes. The second pair, the Tambourine and the Brawl, both animated, slightly grotesque compositions, are less finely executed. Such prints of genre scenes were avidly collected by contemporaries.

Descourtis also produced a number of portrait engravings, including Princess Wilhelmina of Prussia (1791). From the later 1790s he engraved numerous works after Jean-Frederic Schall, notably the Lover Surprised and the Peeping Toms, as well as a series of illustrations to Bernardin de Saint-Pierre's novel Paul et Virginie (1788).