Kompozycja z defilującymi (1933)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

In the captivating painting "Kompozycja z defilującymi" by Sasza Blonder, the artist presents a dynamic and abstract composition bustling with activity and vivid colors. Dated to 1933, this piece is an intriguing example of early 20th-century modernist art.As one observes the work, it becomes apparent that the piece features abstracted human figures appearing to be in a procession or parade, intertwined with various unexpected shapes and vibrant motifs. Each figure, patterned and colored distinctly, pops against a textured background that seems to carry a rhythm of movement. The palette is bold—marked by immediate contrasts of reds, blues, yellows, and earth tones, injecting the scene with a lively and chaotic energy.Blonder's technique and the crowded composition, where figures and objects overlap, suggests the influence of Cubism, yet with a more fluid, expressive interpretation. The painting nudges at the viewer’s imagination, inviting them to unravel its layers and interpret the interplay of forms and hues representing a collective, rhythmic march.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Aleksander (Sasza) Blonder was a Polish painter of Jewish origin .

He went to Paris for the first time in 1926. He studied architecture in 1930–1932 at the École nationale supérieure des beaux-arts in Paris and studied painting at the Academy of Fine Arts in Kraków from 1932 to 1936 with Teodor Axentowicz , Władysław Jarocki and Fryderyk Pautsch.