Martwa natura z butelkami i karafką (1936)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

Explore the vivid and dynamic world of Sasza Blonder’s “Martwa natura z butelkami i karafką” (1936), a stunning exemplar of 20th-century modernist painting. In this energetic still life, Blonder combines abstracted forms with a rich, expressive palette, providing a fresh perspective on everyday objects. Depicted in the artwork are various bottles, jugs, and a carafe, each rendered with fluid, sweeping strokes that imbue the composition with motion and life. The background features a mosaic of colors and shapes, suggesting a complex interplay between the objects and their surroundings.Blonder's technique involves thick, bold brushwork and the utilization of contrasting colors that catch the viewer’s eye and evoke a sense of depth. This painting exemplifies how the artist breaks away from traditional representations, favoring instead a style that emphasizes color, form, and the emotional resonance of simple domestic items. It invites viewers to look beyond the ordinary, exploring the vibrancy and rhythm hidden in the mundane.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Aleksander (Sasza) Blonder was a Polish painter of Jewish origin .

He went to Paris for the first time in 1926. He studied architecture in 1930–1932 at the École nationale supérieure des beaux-arts in Paris and studied painting at the Academy of Fine Arts in Kraków from 1932 to 1936 with Teodor Axentowicz , Władysław Jarocki and Fryderyk Pautsch.