A view of St Mark’s Square and the Campanile

Technique: Giclée quality print
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More about this artwork

Explore the captivating charm of Venice through the eyes of Carlo Grubacs in his illustrious painting, "A View of St Mark’s Square and the Campanile." This exquisite artwork encapsulates a vivid portrayal of one of the most iconic public squares in the world, bustling with life against a backdrop of architectural marvels.Grubacs' masterful use of color and detail brings to life the grandeur of Saint Mark's Basilica, with its elaborate façades and glistening domes standing proudly under the soft, expansive sky. Dominating the scene is the majestic Campanile, towering over the square with its slender, imposing form, guiding the viewer's eye towards the heavens.The Procuratie Vecchie, with its lengthy colonnades, flanks the square to the right, presenting a perfect symmetrical harmony that is synonymous with Venetian architecture. Meanwhile, the everyday life of Venice unfolds in the foreground where figures in vibrant attire – from local Venetians to curious visitors – meander through the square, contributing a lively and human touch to the historic setting.Grubacs, renowned for his detailed cityscapes, demonstrates a delicate balance between architectural precision and the animated spirit of Venice.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Carlo Grubacs born in Venice in 1812, Carlo Grubacs was the son of a merchant navy captain whose family, originally from Montenegro, had settled in Italy in the second half of the 18th century. He studied at the Accademia di Belle Arti in Venice with Teodoro Matteini (from 1818), later specialising in views of Venice in the great tradition of 18th Century artists such as Canaletto and Guardi. His mostly small-format, lively views are executed with great precision, combining skillful drawing, meticulous attention to detail and a bright and luminous palette perfectly epitomising the Venetian 19th Century Vedutismo poetic.