Les Bretonneries (1889)

Technique: Giclée quality print
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Emile Bernard's compelling artwork titled "Les Bretonneries" from 1889 presents a captivating dual-panel exploration of life in Brittany, France. This distinctive piece is a fine representation of Bernard's transition towards Symbolism, capturing not just the literal but the spiritual essence of Breton life.The left panel intricately portrays a pastoral scene that feels both timeless and mythical. In this panel, two figures, seemingly in a deep interaction or a moment of labor, are surrounded by a lush and somewhat abstract landscape. The animals, possibly goats, add an element of rural authenticity, while the organic, flowing forms suggest a profound connection to nature that transcends the mundane.On the right, Bernard shifts the viewer's perspective to a seaside setting, emphasizing the rugged beauty of Brittany’s coastal landscapes. A solitary figure, possibly a fisherman, is depicted with his boat, instilling a sense of solitude and contemplation. The stark contrast of the expansive sky against the detailed rendering of the rocky terrain leads our eyes through a landscape that is both harsh and nurturing.Together, these scenes from "Les Bretonneries" invite the viewer into a reflective narrative on human interaction with nature, characterized by hard work and harmony. Bernard’s use of bold, black contours and the division of the piece into two contrasting yet complementary scenes highlights his innovative artistic vision that offers deep insight into the cultural and geographical identity of Brittany.

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Émile Henri Bernard (28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed.