Ring gymnast I

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"Ring Gymnast I" by Eugène Jansson is a striking exploration of form and movement, capturing the physicality of an athlete suspended in a moment of grace. Painted in 1911, Jansson depicts a male gymnast perfectly horizontal as he executes a difficult maneuver on the gymnastic rings. The gymnast's body is powerfully rendered, muscles taut and contorted with effort, set against a muted backdrop of a gymnasium.The choice of perspective by Jansson is particularly compelling, portraying the gymnast from a lower vantage point that amplifies the sense of weight and gravity, contrasting sharply with the apparent ease and lightness of the athlete's pose. Large windows fill the background, their panes glowing with a soft, diffuse light that seems to isolate and highlight the gymnast’s form, imbuing the scene with an almost ethereal quality.This painting is a fine example of Jansson's shift from his earlier focus on landscapes to the human figure, here exploring themes of physical exertion and the beauty of human anatomy.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Eugène Fredrik Jansson (18 March 1862, Stockholm – 15 June 1915, Skara) was a Swedish painter known for his night-time land- and cityscapes dominated by shades of blue. Towards the end of his life, from about 1904, he mainly painted male nudes. The earlier of these phases has caused him to sometimes be referred to as blåmålaren, "the blue-painter".