Saint Mark’s Square, Venice

Technique: Giclée quality print
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More about this artwork

by Carlo Grubacs captures the timeless elegance and bustling life of one of Italy’s most famous piazzas. This exquisite painting showcases Saint Mark's Square in a warm, ambient light that seems to echo the soft hues of a Venetian morning.In the foreground, a diverse array of figures, from elegantly dressed women to men in long coats, are depicted going about their daily routines or engaging in conversation, adding a vibrant human element to the majestic architectural setting. These finely detailed figures provide a glimpse into the daily life and fashion of the period.The painting is particularly noted for its architectural precision. To the left, the expansive Procuratie Vecchie stretches out, a testament to Venice’s rich Renaissance heritage. Each column and archway is rendered with meticulous attention to detail, showcasing Grubacs’ skill in architectural painting. Dominating the background is the iconic Campanile di San Marco, standing tall and serene against a softly clouded sky, while to the right, the ornate façade of Saint Mark's Basilica is depicted with its intricate designs and multiple domes, reminding viewers of the city’s Byzantine influences.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Carlo Grubacs born in Venice in 1812, Carlo Grubacs was the son of a merchant navy captain whose family, originally from Montenegro, had settled in Italy in the second half of the 18th century. He studied at the Accademia di Belle Arti in Venice with Teodoro Matteini (from 1818), later specialising in views of Venice in the great tradition of 18th Century artists such as Canaletto and Guardi. His mostly small-format, lively views are executed with great precision, combining skillful drawing, meticulous attention to detail and a bright and luminous palette perfectly epitomising the Venetian 19th Century Vedutismo poetic.