Christus erscheint dem heiligen Thomas (1764)

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The striking painting "Christus erscheint dem heiligen Thomas" by the renowned Austrian artist Franz Anton Maulbertsch encapsulates a pivotal moment in Christian theology—the encounter between Christ and Saint Thomas after the Resurrection. Painted in 1764, this artwork vividly portrays the moment when Christ invites Saint Thomas to touch his wounds, thus dispelling his doubts about the Resurrection.In Maulbertsch's dynamic composition, the figures are engulfed in a swirl of dramatism and emotive expanse, typical of the artist's fluid and expressive brushwork. The scene is set against a dark, indistinct background, drawing all attention to the interaction between the figures illuminated in the foreground. Christ, portrayed with celestial grace, extends his hand towards Thomas, whose posture and expression embody a profound mix of awe and incredulity. The surrounding figures, likely the other Apostles, share in this moment of divine revelation, each rendered with individual reactions ranging from astonishment to reverence.Maulbertsch's use of chiaroscuro enhances the ethereal atmosphere, creating a contrast that accentuates the divine presence of Christ and the mortal hesitance of Thomas. The painter's mastery in color and light not only narrates a story but also evokes the deep emotional undertones associated with faith and doubt, belief and enlightenment.This masterpiece, through its vigorous execution and emotional depth, captures a seminal narrative with both theological significance and poignant humanity.

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Franz Anton Maulbertsch (June 7 , 1724 - August 8 , 1796 ) was, alongside Martin Johann Schmidt , the most outstanding painter of the Austrian late Baroque . His expressive art initially broke with tradition, ultimately culminating in classicism and completing Austrian Baroque painting in an idiosyncratic and independent way.