Keinen kachō gafu, Pl.14 (1891-1892)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"Keinen kachō gafu, Pl.14" by Imao Keinen (1891-1892) is a captivating piece from Keinen's series of bird and flower prints, illustrating the natural beauty and delicate balance of Japanese flora and fauna. This particular artwork showcases two birds mid-flight, their bodies artfully adorned with vibrant pink and red plumage that contrasts beautifully against the muted background. The detailed rendering of their feathers and dynamic postures convey a sense of movement and grace, almost as if the viewer can feel the flutter of their wings.Beneath these birds, the composition includes an intricate depiction of plants, where Keinen has carefully illustrated various flowers and leaves with a sense of depth and realism. The subtlety of the colors and the fine lines used to render the plants add to the overall serene and gentle quality of the painting.Keinen's skill in capturing the essence of each element in the scene is evident, making this painting not just a visual treat but also a testament to the artistry of traditional Japanese woodblock printing.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Imao Keinen (1845 – 1924) was a Japanese painter and print designer of the late 19th and early 20th centuries, part of the shin-hanga ("new prints") movement. In 1904 he was appointed as an Imperial Household Artist.