Notre Dame, Paris (1835)

Technique: Giclée quality print
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More about this artwork

We are delighted to present a captivating watercolor painting by the renowned English landscape painter, William Callow. Titled "Notre Dame, Paris (1835)", this exquisite artwork offers a serene yet detailed view of the iconic Notre Dame Cathedral as seen from the banks of the Seine River during the early 19th century.In this charming scene, the majestic Notre Dame Cathedral basks in the warm light of a subtle sky, dominating the composition with its formidable Gothic architecture and twin bell towers. The cathedral's intricate facade and flying buttresses show the artist's attention to detail and his skill in capturing the essence of Gothic design.The foreground of the painting features daily life in Paris with a sense of immediacy and vibrancy that contrasts with the timeless grandeur of the cathedral. Figures clad in period attire engage in various activities by the riverside, providing a glimpse into the life of ordinary Parisians during that era. Two women engaging in conversation, a figure tending to barrels, and others walking or sitting near the river bank all add a human element to the historic landscape.Additionally, Callow incorporates elements of urban Paris, including the robust stone bridge arching gracefully over the Seine. This bridge not only connects the two banks but also leads the viewer’s eye towards the cathedral, creating a harmonious link between human engineering and divine architectural achievement."Notre Dame, Paris (1835)" not only showcases William Callow's mastery in watercolor techniques and landscape composition but also serves as a historical document, preserving the look and atmosphere of Paris in the 19th century.

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William Callow was an English landscape painter, engraver and watercolourist.

Callow was born in 1812. July 28 in Greenwich. He studied with the artist Copley Fielding, where he learned the technique of en plein air sketching. He studied under Theodore and Thales Fielding, where he learned to color prints and make aquatints, and from 1825 to 1827 was taught to paint in watercolor.