Portrait of the Author Mons Lie (1909)

Technique: Giclée quality print
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Welcome to our exploration of Thorvald Erichsen's captivating artwork "Portrait of the Author Mons Lie" created in 1909. This intriguing painting encapsulates the essence of its subject, Mons Lie, with vibrant colors and expressive brushwork that draws viewers into a deeper contemplation of the figure portrayed.Upon first glance, the painting is dominated by a serene yet intense blue background, crafted with dynamic and textured strokes that suggest a lively atmosphere enveloping the subject. The subject, presumed to be Mons Lie, is depicted with a subtle introspection, gazing directly at the viewer. His facial expression, coupled with the calm, composed pose, exudes a sense of quiet dignity and reflective thought.Erichsen employs a rich palette to clothe Mons Lie in an earth-toned jacket over a red tie and blue shirt, emphasizing a contrast that highlights the subject's face. The diverse hues not only add depth to the depiction but also enhance the emotional impact, suggesting layers of personality and intellect.Mons Lie's portrayal is one that invites onlookers to appreciate the complexities of an individual who might have been both a public and literary figure, carrying stories within the lines of his face and the posture he holds. This painting, quintessentially representative of Thorvald Erichsen's skillful blending of color and form, offers a timeless glimpse into early 20th-century expressionist portraiture.Erichsen’s brushwork and color choices communicate more than just a physical likeness; they reveal a character narrative that is significant for anyone seeking to understand the intertwining of identity and art.

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Thorvald Erichsen was a Norwegian Post-Impressionist painter; primarily known for landscapes and still lifes.

Thorvald Erichsen was born in Trondheim, Norway. He was the son of Ernst Erichsen (1820-1869) and Trine Jensine Rian (1829-1884). Erichsen's father was a confectioner and died when Erichsen was very young.

Although at first he wanted to be a pianist, in 1886 he began studying law, then dropped out and attended a painting school run by Knud Bergslien, where he completed a course in arts and crafts. He later moved to Copenhagen, where he became a student of Christian Zahrtmann, who had a greater influence on his artistic development.