Valley with Fir (Shade on the Mountain) (1909)

Technique: Giclée quality print
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More about this artwork

This captivating painting by Henri-Edmond Cross, titled , is a brilliant example of the Pointillism technique that was characteristic of the Neo-Impressionist movement. Painted in 1909, this artwork invites viewers into a vibrant, mosaic-like landscape that is both tranquil and dynamically colorful.The composition is dominated by flurries of contrasting colors that represent a lush valley. Central to the scene is a towering fir tree, its trunk painted in a striking mix of red and blue patches that draw the viewer's eye upwards against the soft background. Surrounding this central figure are smaller green trees and shrubs, their shapes merging into the strokes of color that depict the grassy ground.Deeper into the scene, the valley is cloaked in shades of yellow, mauve, and blue, suggesting the presence of wildflowers and the play of light across the uneven terrain. Above this natural tapestry, the mountains in the distance rise subtly, bathed in shades of purple and blue, which contrast with the warm yellows of the fields.On the foreground, a solitary figure in a long dress can be glimpsed, adding a human element to the otherwise wild and natural setting. This figure enhances the sense of scale and solitude in the expansive outdoors.Cross’s use of vivid, distinct dots of color not only enhances the visual intensity of the landscape but also imbues the scene with a sense of vibrancy and life. Each brushstroke works together to create a cohesive and immersive viewing experience that is both a celebration of nature and a showcase of the unique capabilities of pointillist techniques.

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Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of that movement. He was a significant influence on Henri Matisse and many other artists. His work was instrumental in the development of Fauvism.