A Skating Scene (c.1655 - c.1660)

Technique: Giclée quality print
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More about this artwork

Dive into the brisk winter landscape that Aert van der Neer masterfully brings to life in "A Skating Scene," a painting that dates back to around 1655-1660. This scenic tableau, rich with the chilly charm of a 17th-century Dutch winter, offers viewers not just artistic finesse but a vibrant slice of life from an era long past."A Skating Scene" captures a frozen river bustling with activity. It offers a picturesque and expansive view where scores of villagers make the most of the cold, skating past one another with the kind of joy that only winter can inspire. Far from just a recreational snapshot, Van der Neer's work is a study in communal life, showcasing people in various interactions – from children playing to adults commuting and socializing, all unified by the ice beneath their feet.In the foreground, the scene is populated by groups of people engaged in conversation or preparing to skate, contrasting with the expansive, open ice that dominates the middle ground. The background melds into a beautifully rendered sunset or sunrise, its gentle amber light softening the winter sky and reflecting off the ice, adding a warm glow to the cold scene. This subtle interplay of light not only highlights Van der Neer's prowess in capturing the naturalistic details of the landscape but also embellishes the painting with a sense of depth and atmosphere.Distinctively, a solitary tall wooden pole topped with a wheel stands out against the skyline, perhaps a marker or a remnant of a utilitarian structure, adding a layer of narrative or function to the scene. The distant view shows silhouetted buildings of a village, grounding the painting in a real, living world where daily life continues against the seasonal rhythms of nature.

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Aert van der Neer, or Aernout or Artus (c. 1603 – 9 November 1677), was a landscape painter of the Dutch Golden Age, specializing in small night scenes lit only by moonlight and fires, and snowy winter landscapes, both often looking down a canal or river. He was a contemporary of Aelbert Cuyp and Meindert Hobbema, and like the latter he lived and died in comparative obscurity.