Popocatepetl, Spirited Morning– Mexico (1932)

Technique: Giclée quality print
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More about this artwork

On our website, we are thrilled to showcase an invigorating work titled "Popocatepetl, Spirited Morning– Mexico" created by the celebrated American painter Marsden Hartley in 1932. This captivating painting draws its inspiration from the majestic Popocatepetl volcano, one of Mexico's most iconic natural landmarks.In Hartley's representation, the volcano is depicted not merely as a geological feature but as a dynamic and almost sentient presence. The composition is vivid, with the bulk of the volcano pressing up against a vibrant, deep blue sky. The summit, bathed in white, contrasts dramatically with the dark, rugged textures of the volcanic slopes. This interplay of light and shadow captures the transient beauty of early morning when the first rays of sun touch the mountaintop.Surrounding the peak, a series of robust, cloud-like forms float with palpable weight, suggesting both the tangible moisture of morning mists and the ethereal quality of the sky. These clouds swirl around the summit in a dance of light and form, enhancing the overall sense of movement and energy emanated by the morning scene.Hartley uses a bold palette primarily composed of blues and whites, which evokes a sense of freshness and the crisp chill of high altitude air. His brushwork is expressive, allowing for textural depth that invites viewers to feel the ruggedness of the volcanic rock and the softness of the clouds."Popocatepetl, Spirited Morning– Mexico" is not just a landscape; it's a celebration of natural magnificence and a snapshot of a moment where earth meets sky, presented through the unique lens of Marsden Hartley's artistic vision.

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Marsden Hartley (1877–1943) is a Maine native and a leading American Modernist painter, along with his contemporaries, Arthur Dove and Georgia O’Keeffe. He is well-known for employing geometric abstraction as well as bold colors and lines. His paintings depicted imagery of nature, landscapes, figures, and still-life. Sponsored by Alfred Stieglitz, Hartley went to Europe in 1912, spending most of his time in Germany, where he met Gertrude Stein, Wassily Kandinsky, and Franz Marc. After returning to America in 1930, he reconnected with the New England of his childhood and started to portray the landscapes of New England in his paintings.