Expulsion from Eden

Technique: Giclée quality print
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More about this artwork

The artwork "Expulsion from Eden" by John Martin is a compelling visual representation of the biblical narrative where Adam and Eve are cast out from the Garden of Eden. This sepia-toned painting captures the moment of despair and consequence following their transgression. A vast, rugged landscape occupies the majority of the scene, hinting at the harsh world outside paradise. In the foreground, two figures, Adam and Eve, are depicted in a moving display of human emotion. They are shown with a sense of mourning and loss as they leave the lushness of Eden, now inaccessible and shrouded in shadows on the right side of the composition.Martin's use of dramatic lighting enhances the emotional intensity of the scene, with the dark, dense foliage and looming trees creating a formidable barrier between the figures and the paradise they must leave behind. This artistic choice not only emphasizes the severity of their exile but also the feeling of isolation enveloping Adam and Eve as they venture into the unknown.The artwork, rich in detail and symbolism, provides viewers with a poignant reflection on themes of sin, punishment, and the human condition. John Martin, known for his epic landscapes and grandiose visual narratives, employs a meticulous technique, bringing both the drama of the biblical tale and the beauty of natural scenery to life.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

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We do not refund shipping expenses.

John Martin was an English Romantic painter, engraver and illustrator. He was celebrated for his typically vast and melodramatic paintings of religious subjects and fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general public—in 1821 Thomas Lawrence referred to him as "the most popular painter of his day"—but were lambasted by John Ruskin and other critics.