Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin–Military in Nature (ca. 1915)

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Marsden Hartley's painting, titled "Collection of Numbers, Designs and Letters Seen by Me at the Beginning of the War in Berlin–Military in Nature," created around 1915, is a compelling exploration of symbolic and abstract imagery that reflects the artist’s impressions of military motifs during World War I, seen through his eyes in Berlin.This artwork features a stark and striking composition where numbers, letters, and geometric shapes intermingle across the canvas. Dominating the center is a large, eye-catching numeral "9" set within a concentric, radiating target or emblem, symbolizing perhaps a focus or importance. This circular motif is flanked by wavelike patterns in green and white, suggesting movement or perhaps echoing the flags and banners often associated with military parades.On the lower half of the canvas, an array of bold, block colors segment the space, framing numbers and letters such as "6," "8," and "4" in varied sizes and vibrant hues of blue, red, and yellow. These elements might be seen as representations of soldiers' identifiers or regimental numbers, imbuing the painting with a sense of ordered chaos.Abstract floral or starburst designs punctuate the composition, rendered in white and red, contributing to the war-time aesthetic by possibly symbolizing explosions or bursts of gunfire. The overall effect is a dramatic, somewhat unsettling mosaic of war icons, portrayed not with realism, but with intense emotive power and graphic boldness.

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Marsden Hartley (1877–1943) is a Maine native and a leading American Modernist painter, along with his contemporaries, Arthur Dove and Georgia O’Keeffe. He is well-known for employing geometric abstraction as well as bold colors and lines. His paintings depicted imagery of nature, landscapes, figures, and still-life. Sponsored by Alfred Stieglitz, Hartley went to Europe in 1912, spending most of his time in Germany, where he met Gertrude Stein, Wassily Kandinsky, and Franz Marc. After returning to America in 1930, he reconnected with the New England of his childhood and started to portray the landscapes of New England in his paintings.