Sitting Man With Guitar

Technique: Giclée quality print
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More about this artwork

"Sitting Man with Guitar" is a captivating work by Ferdinand Hodler, a prominent Swiss painter known for his unique interpretation of Symbolism and Art Nouveau. Painted in a composition of loose and expressive brushstrokes, this painting portrays a man dressed in vibrant red, leisurely seated with a guitar resting on his lap. The man's relaxed posture and the casual draping of his vivid attire contrast with his introspective expression, suggesting a moment of quiet contemplation or a pause in a musical session.The painting's background is understated yet textured, directing focus to the figure and his immediate surroundings. A jug on the floor next to him hints at a domestic setting, perhaps a personal space where music and introspection intertwine.Hodler's use of color and form in "Sitting Man with Guitar" subtly conveys the emotional and psychological state of his subject, making this painting more than just a simple portrait but a window into a serene, introspective moment captured in time. This artwork stands out for its expressive realism and the way it communicates the mood and personality of its subject through color and brushwork.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".