Blick nach San Giorgio Maggiore von der Mole in Venedig (After 1864)

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More about this artwork

Rudolf von Alt’s painting "Blick nach San Giorgio Maggiore von der Mole in Venedig," painted after 1864, captures a serene and picturesque view of Venice. This splendid artwork offers a tranquil perspective from the docks, looking out towards the island of San Giorgio Maggiore.In the foreground, the bustling activity along the Venetian mole unfolds. A variety of figures, from local Venetians to visitors, animate the scene. Some engage in conversation, while others go about their daily tasks, contributing to the vibrant local flavor of the scene. Traditional Venetian gondolas, moored along the dock or gently bobbing in the water, add to the romantic and historical essence of the city.The middle ground of the painting features the expanse of the lagoon, dotted with vessels—a testament to Venice's roots as a maritime power. The eye is then drawn to the majestic silhouette of San Giorgio Maggiore in the distance. The church, with its impressive bell tower and classical façade, is bathed in a soft light, possibly of early morning or late afternoon, which highlights its architectural beauty against the backdrop of a dynamic sky.The sky itself is a masterful rendering of wispy clouds tinged with the colors of the weather, suggesting change or the onset of evening. Von Alt's skilled use of light and shadow, combined with precise brushstrokes, evokes the unique atmosphere of Venice—its beauty both timeless and ephemeral.

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Rudolf Ritter von Alt was an Austrian landscape and architectural painter. Born as Rudolf Alt, he could call himself von Alt and bear the title of a Ritter (knight) after he gained nobility in 1889.

Born in Vienna.