Granatäpfel auf einer Fensterbank

Technique: Giclée quality print
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More about this artwork

In this enchanting artwork by Marie Egner, titled "Granatäpfel auf einer Fensterbank" (Pomegranates on a Windowsill), the viewer is transported into a serene yet vibrant tableau that blends the intimacy of still life with the expansiveness of a landscape. Egner, known for her delicate and detailed approach, captures a moment of both simplicity and profound beauty.This painting showcases a collection of ripe pomegranates resting on a draped cloth on a windowsill. The fruits, rich in color and diverse in texture, are depicted with such realism that one can almost feel the smooth yet slightly leathery skin of the pomegranates. Each fruit is uniquely characterized, some split open to reveal the jewel-like seeds inside, symbolizing fertility and abundance.Beyond the immediate allure of the still life, the window frames a distant view of a serene waterscape, possibly a quiet corner of Venice, as hinted by the architectural silhouette against the soft, light-infused sky. This backdrop provides a stark contrast to the vivid foreground, giving the scene a depth that invites contemplation about the relationship between the inside world and the vastness beyond.Marie Egner’s use of light and shadow, along with her skillful watercolor technique, creates a picture that is not only visually striking but also evokes a sense of quietude and contemplation. "Granatäpfel auf einer Fensterbank" is more than just a visual experience; it is an invitation to pause and appreciate the beauty in everyday moments and the natural world around us.

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Marie Egner was an Austrian painter.

Egner was born on 25 August 1850 in Bad Radkersburg, Austria. She took her first drawing lessons in Graz with Hermann von Königsbrunn, then went to Düsseldorf from 1872 to 1875, where she studied with Carl Jungheim. In 1882, she went to Vienna to live with her mother, but spent her summers at the art colony in Plankenberg Castle, near Neulengbach, where she took lessons with Emil Jakob Schindler until 1887. A study trip to England followed from 1887 to 1889. Shortly after, her first exhibition was held at the Vienna Künstlerhaus. She also exhibited in Germany and England.