Repos pendant la fenaison

Technique: Giclée quality print
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More about this artwork

Léon Augustin Lhermitte, a master of the French Realist movement, brings to life the serene ambiance of rural life in his evocative painting "Repos pendant la fenaison" (Rest During the Haymaking). This remarkable artwork masterfully encapsulates a day in the life of countryside laborers during the late 19th century, highlighting both the camaraderie and the relentless toil that characterizes agricultural work.In the foreground, the focus is on a group of field workers taking a well-deserved pause. A young man, standing and leaning on his scythe, appears to be sharing a moment of conversation with three seated women. These figures are rendered with soft, yet expressive brush strokes, capturing the glow of youthful energy and the weariness from physical labor. The women, depicted in varying poses of rest, attentively engage with their fellow laborer, creating a scene of communal solidarity and shared human experience.The setting is a lush field, dotted with haystacks and the gentle undulations of the countryside. In the background, other workers can be seen, continuing the harvest, subtly reminding viewers of the ongoing nature of their toil. The distant village and rolling hills fade into a hazy, atmospheric perspective, suggesting the vastness of the rural landscape and the enduring connection between the workers and their environment.Lhermitte’s skillful use of lighting and color enhances the rustic charm of the scene. The earthy tones and the soft greens and blues evoke a warm, inviting atmosphere, while the brushwork imbues the scene with a sense of immediacy and vivaciousness.

Delivery

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Returns

Yes, reproductions can be returned.

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Léon Augustin Lhermitte was a French naturalist painter and etcher whose primary subject matter was rural scenes depicting peasants at work.

He was a student of Lecoq de Boisbaudran, he gained recognition after his show in the Paris Salon in 1864.

His many awards include the French Legion of Honour (1884) and the Grand Prize at the Exposition Universelle in 1889.