Madeira (1779)

Technique: Giclée quality print
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More about this artwork

Description: In the fascinating 1779 watercolor painting "Madeira" by Samuel Davis, we are transported back in time to a serene and picturesque portrayal of this enchanting island. The artwork captures a broad, sweeping landscape framed by rugged mountains that dwarf the architectural marvels nestled within their valleys.Foregrounding this tranquil scene, we observe two figures, possibly travelers or locals, engaged in a seemingly relaxed conversation. Their presence adds a human element to the otherwise tranquil wilderness, emphasizing the coexistence of man and nature. The foreground shows a rustic terrace with stone and masonry features, which helps draw the viewer's eye towards the vast landscape beyond.Further into the painting, the main focus is the town with its distinctly classical European architecture. White buildings with terracotta roofs dot the landscape, suggesting a thriving community. Prominent among these is a church or a large public building, its tower stretching toward the sky, serving both as a spiritual beacon and a visual anchor in the composition of the painting.The gentle color palette of soft greys, greens, and blues conveys a sense of calmness and timelessness, reflecting the eternal beauty of Madeira as seen through the eyes of Samuel Davis. This painting not only provides a visual delight but also serves as a historical document, preserving a moment in Madeira’s rich past."Madeira" by Samuel Davis is more than a painting; it is a window to the soul of the island, capturing the essence of its landscape and the spirit of its people during the late 18th century.

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Samuel Davis was an English soldier turned diplomat who later became a director of the East India Company (EIC). He was the father of John Francis Davis, one time Chief Superintendent of British Trade in China and second governor of Hong Kong.