In the Chinese labyrinth (1901)

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Udo Keppler's 1901 painting, "In the Chinese Labyrinth," offers a striking and satirical glimpse into the geopolitical tensions of the early 20th century. The artwork is a political cartoon that ingeniously illustrates the international competition and intrigue surrounding China’s influence and sovereignty during this period, often referred to as the "Scramble for China."The central figures in the painting are caricatures of the leaders and military representatives from the major world powers of the time. They are depicted in a frantic chase, stumbling over one another inside a dark labyrinth. The desperation and confusion on their faces humorously convey the complexities and precarious nature of international politics regarding the affairs of China.Dominating the foreground are bear traps labeled "casus belli," a Latin expression meaning "cause of war." These traps symbolize the dangerous and potentially disastrous consequences of imperialism if the competing interests lead to open conflict.Leading the group is a figure holding a lantern labeled "prospective," shedding light on the path ahead. This suggests that despite the confusion and competitive antics, there is a guiding light, albeit dim, possibly representing hope for a path guided by foresight rather than mere opportunistic scrambling.Keppler's painting is a brilliant allegorical representation of the chaotic and perilous international relations of his time, rendered with both artistic skill and sharp political insight.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.