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Head of a Woman (Marguérite Adolphine Helfrich) (1897) reproduction of painting by Jan Toorop. ALL GICLEE PRINTS
Head of a Woman (Marguérite Adolphine Helfrich) (1897) reproduction of painting by Jan Toorop. ALL GICLEE PRINTS

Head of a Woman (Marguérite Adolphine Helfrich) (1897)

Jan Toorop
Technique: Giclée quality print
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"Head of a Woman (Marguérite Adolphine Helfrich)" by Jan Toorop, created in 1897, is a striking example of the artist's unique style, blending elements of Art Nouveau and symbolism. This delicate drawing captures the profile of Marguérite Adolphine Helfrich, a subject rendered with intricacy and sensitivity.In this artwork, Toorop employs a refined line drawing technique to portray Helfrich’s profile. Her features are elegantly outlined, showcasing her gentle yet contemplative expression. The distinct curvature of her lips and the soft gaze of her eyes reveal a serene disposition. Toorop's use of continuous and flowing lines adds a dynamic quality to the composition, while the stylized wave of her hair and the ornamental flower adorning her hat contribute to the overall aesthetic elegance that is typical of Art Nouveau.The subtle shadings and the contrast between the detailed facial features and the simplification of her clothing emphasize the artist's focus on the face, drawing the viewer's attention directly to her expression. This piece is not just a portrait but a narrative of style and period, reflecting both the artistic tendencies and the cultural atmosphere of the late 19th century.

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Artist
Jan Toorop
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Jan Toorop (1858–1928) was a 19-century Dutch-Javanese painter who extensively experimented with different artistic styles ranging from Realism, Impressionism, Symbolism and Art Nouveau to Pointillism. He was famous for using highly stylized slim figures and dynamic lines that were influenced by Indonesian motifs and curvilinear lines. His most famous poster artwork “Delft Salad Oil”, commissioned by The Dutch Oil Company, became so iconic that the Dutch Art Nouveau painting style is given the nickname "the salad oil style". Despite the fact that Toorop's expertise was in producing designs for marketing and advertisements, he also produced a number of fine art pieces that dealt with darker subjects including the human physche and emotions.

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