Let the foreigner rage! (1901)

Technique: Giclée quality print
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"Let the Foreigner Rage!" is a compelling political cartoon by Udo Keppler, illustrating the sentiments surrounding American economic policies at the turn of the 20th century. This artwork encapsulates the tension between domestic business interests and foreign competition within the realms of trade and commerce.At the center of the painting is a grand figure presumably representing Uncle Sam, depicted with a discerning gaze and imposing posture, clad in a distinctive suit with red and white striped trousers, symbolizing the American flag. He stands firmly on the American shore, symbolically casting a protective stance over the growing economy.Behind him, "The World's Department Store" is prominently displayed with the caption, "The Best Goods for the Least Money," highlighting the burgeoning consumerism and the rise of department stores which offered a variety of goods at competitive prices, thereby appealing to a broad segment of society. This is indicative of the dominance and confidence of American retailers during this era, as they began to assert their presence in the global market.Foregrounding the scene to the right, a chaotic influx of foreign merchants and goods is shown being driven back into the sea, where a steamship labeled "Foreign Trade" is also depicted. The outgoing crowd, painted in softer and less vibrant hues, suggests the aggressive exclusion of foreign competition, seen as a threat to domestic economic interests.Keppler's work is a vibrant portrayal of nationalist economic policies, emphasizing the protective measures taken by the United States to buffer its own industries and market. It visually communicates the drama and intensity of economic debates of the early 20th century, reflecting a period where the nation was deeply engaged in defining its economic boundaries and priorities.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.