In the political gallery (1908)

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"In the Political Gallery" (1908), created by artist Udo Keppler, elegantly captures the essence of political succession and opinion during its time. Illustrated for "Puck" magazine, a publication known for its sharp wit and satirical take on politics, Keppler’s work offers both a literal and figurative depiction of the political scene of early 20th century America.In this vibrant colored illustration, we see a cherubic figure, small and childlike, interacting with portraits in a political gallery. The walls are adorned with framed images of notable figures, prominently featuring "C.E. Hughes" and "J. Johnson" in opulent gold frames labeled accordingly as Republican and Democratic nominees. The child grapples with the portrait of Johnson, trying to hang it, suggesting the innocence or naïveté with which new political leaders are often supported or promoted. Around these central images are various other portraits strewn about, some propped against the wall, creating a sense of abundance and perhaps the overwhelming nature of political choice.Keppler's choice to depict a child in this political environment evokes themes of legacy, succession, and the cyclical nature of political leadership—innocence amidst the complexity of political maneuvering. This visual satire not only reflects on the political climate of 1908 but also resonates with the timeless nature of political change and public perception in governmental affairs.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.