Untitled (landscape with trees and woman) (1894)

Technique: Giclée quality print
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More about this artwork

We are delighted to feature Edward Mitchell Bannister’s captivating painting, 'Untitled (landscape with trees and woman)' (1894) on our website. This enchanting artwork transports viewers to a serene landscape, immersing them in a moment of pastoral peace.This painting presents a soft, naturalistic scene where the subtle use of light and shadow play across the canvas, creating a sense of depth and volume. The foreground is dominated by dark, rich tones of dense foliage and tall trees, which frame the composition. The trees, painted with loose brushstrokes, convey the lively, organic texture of pine needles and bark, swaying gently in an unseen breeze.In a striking contrast to the shadowed foreground, the middle ground reveals a warmly lit open field bathed in soft sunlight, hinting at a spacious pasture beyond the wooded area. The use of muted greens and earthy browns suggests the quiet calm of late summer or early autumn.A pivotal element of this work is the solitary figure of a woman, positioned near the center of the composition. Clad in period attire, her presence adds a human element to the natural landscape, inviting viewers to ponder her thoughts or destination. Her subtle placement amid the sweep of nature underscores Bannister’s ability to harmonize human figures with their surroundings, suggesting a profound connection between people and the natural world.Edward Mitchell Bannister’s work uniquely captures the emotional and physical landscapes he portrays. This painting is no exception, providing an exquisite example of his talent for integrating natural and human elements into a cohesive, inviting scene that welcomes viewers into its tranquil embrace.

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Edward Mitchell Bannister (November 2, 1828 – January 9, 1901) was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.