The Rokin, Amsterdam (1923)

Technique: Giclée quality print
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More about this artwork

The painting "The Rokin, Amsterdam" by George Hendrik Breitner captures a lively yet serene winter day in Amsterdam in 1923. Breitner is renowned for his impressionistic approach, often documenting urban life in the Netherlands with a remarkable attention to the effects of light and movement. This piece is no exception, bathed in muted yet warm tones that give a rich texture to the snowy cityscape.The foreground of the painting features a group of figures and horses, each rendered with loose, expressive brushstrokes that suggest rather than delineate form. Two horses, one white and one red, stand prominently. They are possibly waiting or resting, accompanied by their handlers in a typical urban scene. Adjacent to the horses, two women in cloaks converse, their postures and attire invoking the fashion of the era and adding a personal element to the scene.Behind this intimate street-level activity, the architecture of Amsterdam looms. The buildings, tinged with the soft light of winter, showcase the characteristic façades that line the historic Rokin street. The array of windows, gables, and chimneys are depicted with a blend of accuracy and artistic interpretation, creating a backdrop that is both recognizable and atmospherically interpreted.Breitner's palette is subdued, with earthy tones and soft whites dominating, reflecting the overcast winter sky and the chill of the season. His technique, particularly evident in the treatment of the snowy ground and misty background, conveys the crispness of the air and the bustle of city life, halted momentarily by the tranquil presence of the horses.

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George Hendrik Breitner (12 September 1857 – 5 June 1923) was a Dutch painter and photographer. An important figure in Amsterdam Impressionism, he is noted especially for his paintings of street scenes and harbours in a realistic style. He painted en plein air, and became interested in photography as a means of documenting street life and atmospheric effects – rainy weather in particular – as reference materials for his paintings.