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Untitled (landscape with cows and trees) (1881) original painting by Edward Mitchell Bannister. ALL GICLEE PRINTS
Untitled (landscape with cows and trees) (1881) original painting by Edward Mitchell Bannister. ALL GICLEE PRINTS

Untitled (landscape with cows and trees) (1881)

Edward Mitchell Bannister
Technique: Giclée quality print
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Edward Mitchell Bannister's painting "Untitled (landscape with cows and trees)" from 1881 is a remarkable depiction of tranquil rural life. At first glance, this artistic work draws you into a serene, pastoral landscape characterized by its lush greenery and a clear focus on nature.In the foreground of the painting, a small herd of cows grazes peacefully on the vibrant green pasture, accompanying the viewer's journey into the scene. Their presence adds a touch of pastoral calmness and emphasizes the theme of harmony between animals and nature.Above the cows, dense trees frame the composition, creating a natural border that guides the eyes through the painting. Their thick foliage in various shades of deep greens and browns not only provides contrast but also depth, enhancing the feeling of being enveloped by nature.The sky above is dynamic and moodily expressive, with loosely defined clouds swirling in a mix of grays and blues. The treatment of the sky adds a dramatic touch and serves as a reminder of the ever-changing character of nature.Bannister’s use of soft, blended brushstrokes infuses the landscape with a dreamy, almost ethereal quality, allowing the viewer to feel the tranquility and beauty of the untouched wilderness.

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Edward Mitchell Bannister
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Edward Mitchell Bannister (November 2, 1828 – January 9, 1901) was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.

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