The Tomb Of Sultan Mehmet I

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

In this strikingly detailed painting by Rudolf Ernst, we are transported inside the ornately decorated burial site of Sultan Mehmet I. The artwork captivates with its meticulous depiction of Islamic architecture and artifacts, characterized by rich textures and vibrant colors.Central to the scene is an elderly figure, possibly a caretaker or a scholar, dressed in traditional attire, who delicately handles a piece of scripture. His pose and expression convey a deep reverence for the location and its historical and spiritual significance. The tomb itself, prominently displayed in the center, is adorned with intricate turquoise tile work that commands attention, symbolizing the high regard for the deceased.Surrounding elements like the ornamental rugs, a beautifully carved wooden lectern, and lattice-work lanterns further enrich the visual narrative, suggesting a space of continual respect and remembrance. Ernst masterfully captures the dimly lit ambiance of the tomb, playing with light and shadow to evoke a sense of solemnity and timeless devotion.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Rudolf Ernst was an Austro-French painter, printmaker and ceramics painter who is best known for his orientalist motifs. He exhibited in Paris under the name "Rodolphe Ernst".

He was the son of the architect Leopold Ernst and, encouraged by his father, began studies at the Academy of Fine Arts Vienna at the age of fifteen. He spent some time in Rome, copying the old masters, and continued his lessons in Vienna with August Eisenmenger and Anselm Feuerbach.