At Pointy (1788)

Technique: Giclée quality print
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More about this artwork

The painting "At Pointy" by Samuel Davis, created in 1788, beautifully captures a serene and historical landscape, portraying a traveler's encounter with an architectural marvel nestled amidst nature. In this delicate wash of colors, Davis illustrates a grand, domed building featuring four main domes and several arches, suggesting a style reminiscent of classical or perhaps colonial architecture. The meticulous detail in the portrayal of the building contrasts subtly with the softly rendered natural surroundings, encouraging a feeling of harmony between man-made structures and nature.A lone figure adorned in traditional attire, possibly from the period, is depicted at the forefront of the scene. This wanderer or local approaching the structure adds a human element to the otherwise tranquil and slightly melancholic landscape. The watercolor technique employed by Davis adeptly captures the light and atmospheric qualities of the setting, with sky blues and earthy tones blending into each other, creating a sense of depth and expansiveness.The lush greenery partly conceals and frames the building, suggesting it as a place of retreat or significance, inviting the viewer to ponder its history and the stories it might hold. Noticeable is the artist’s skill in capturing the play of light, with shadows and highlights suggesting a moment captured in the late afternoon.

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Samuel Davis was an English soldier turned diplomat who later became a director of the East India Company (EIC). He was the father of John Francis Davis, one time Chief Superintendent of British Trade in China and second governor of Hong Kong.