Menton, presque la nuit, 2è impression (1894)

Technique: Giclée quality print
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More about this artwork

"Menton, presque la nuit, 2è impression" by Alfred Stevens is a captivating exploration into the subtle beauty of transitional times, capturing Menton, a charming coastal town on the French Riviera, as it teeters at the brink of nightfall. This 1894 masterpiece depicts the serene interaction between nature and human habitation, highlighting Stevens' deft handling of atmosphere and mood.In this painting, the viewer's eye is drawn to the delicate oscillation of natural and artificial lights. The dark, undulating silhouette of the mountains envelops the upper part of the canvas, pressing down into the sea that adopts a mysterious greenish hue under the fading sky. This interplay of dark mountain forms and the lighter sea foreground introduces a profound depth to the composition.The town itself is rendered in shadowy outlines, defined by subtle brushstrokes that reflect the dimming light. Small lights begin to twinkle in the buildings, suggesting the onset of nighttime activities. A lone, empty boat in the foreground adds a touch of melancholy and solitude, enhancing the painting's reflective quality.With minimal color and subdued tones, Stevens conveys a moment of tranquility and introspection. "Menton, presque la nuit, 2è impression" invites the viewer to pause and reflect, appreciating the serene beauty and the gentle shift from day to night in this picturesque Riviera locale.

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Alfred Émile Léopold Stevens (11 May 1823 – 24 August 1906) was a Belgian painter, known for his paintings of elegant modern women. In their realistic style and careful finish, his works reveal the influence of 17th-century Dutch genre painting.