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Harewood House, Yorkshire (ca. 1798) reproduction of painting by Thomas Girtin. ALL GICLEE PRINTS
Harewood House, Yorkshire (ca. 1798) reproduction of painting by Thomas Girtin. ALL GICLEE PRINTS

Harewood House, Yorkshire (ca. 1798)

Thomas Girtin
Technique: Giclée quality print
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Welcome to an artistic exploration through time at the presentation of "Harewood House, Yorkshire" by Thomas Girtin, crafted circa 1798. This delicate pencil sketch reveals the exquisite and detailed architectural grandeur of Harewood House, one of Britain’s esteemed country homes, located in Yorkshire.In this enchanting preliminary sketch, Girtin captures the stately essence of Harewood House with remarkable precision. The drawing showcases the property’s refined neoclassical architecture, featuring strong geometric lines and graceful ornamentation. Prominent in the sketch are the elegant pilasters and majestic pediments that adorn the facade, indicative of the architectural taste of the period.The artist’s use of light and shadow delicately emphasizes the texture and depth of the building, providing a sense of solidity and grandeur. Surrounding the house, Girtin sketches hints of the lush landscape, with soft outlines of trees framing the composition, suggesting a serene and pastoral setting.This sketch not only reflects Thomas Girtin's adept skill with pencil and his keen eye for detail but also serves as a historical document, capturing the beauty and cultural importance of Harewood House at the turn of the 19th century.

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Thomas Girtin
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Thomas Girtin was an English watercolourist and etcher. A friend and rival of J. M. W. Turner, Girtin played a key role in establishing watercolour as a reputable art form.

Thomas Girtin was born in Southwark, London, the son of a wealthy brushmaker of Huguenot descent. His father died while Thomas was a child, and his mother then married a Mr Vaughan, a pattern-draughtsman. Girtin learnt drawing as a boy (attending classes with Thomas Malton), and was apprenticed to Edward Dayes (1763–1804), a topographical watercolourist. He is believed to have served out his seven-year term, although there are unconfirmed reports of clashes between master and apprentice, and even that Dayes had Girtin imprisoned as a refractory apprentice. Certainly Dayes did not appreciate his pupil's talent, and he was to write dismissively of Girtin after his death.

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