Not so happy as he might be (1897)

Technique: Giclée quality print
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More about this artwork

In Udo Keppler's captivating 1897 painting, "Not so happy as he might be," viewers are invited into a vivid and whimsical scene that both amuses and provokes thought. At first glance, we see an elderly man dressed in a vibrantly red jacket and striped trousers, his expression one of discomfort or annoyance. He's seated comfortably in a lush, green armchair, but his peace is seemingly disrupted by a troupe of fantastical, fairy-like creatures swarming around him.Each of these small, winged figures represents various political and social issues of the time, as indicated by labels on their sashes with words such as "Tariff," "Republic," "Office," "Gold," and "Troubles." These caricatures, wielding different tools and flying chaotically, appear to be bombarding the old man with their respective concerns, reflecting how overwhelmed or perturbed one might feel amidst the clashing interests and tumultuous debates of the late 19th century.Keppler’s use of color and expressive characters not only adds a layer of humor but also a critical dimension to this painting, capturing the tension and complexity of navigating socio-political landscapes. This piece not only serves as a historical commentary but also reminds contemporary viewers of the ongoing challenges in balancing personal peace with societal issues.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.