Untitled (landscape, riverbank, three cows)

Technique: Giclée quality print
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More about this artwork

In this serene landscape painting by Edward Mitchell Bannister, one is immediately drawn into a peaceful pastoral scene bathed in the warm, gentle light of a fading day. This artwork, titled "Untitled (Landscape, Riverbank, Three Cows)," captures the essence of rural life without the intrusion of modernity, reflecting Bannister’s penchant for idyllic and natural settings.The painting showcases a lush, verdant riverbank where trees with rich, textured foliage frame the composition. The river, while subtly depicted, mirrors the sky, enhancing the sense of calm pervasive throughout the scene. Three cows, integral subjects of the painting, are placed naturally within the environment; one drinks from the river, another grazes, and the third seems to rest or also drinks, contributing to the everyday yet timeless quality characteristic of Bannister's work.The artist uses a muted palette of greens, browns, and blues, punctuated by the soft yellows and grays of the sky, suggesting either early morning or late evening light. This choice of lighting and color not only highlights the peacefulness of the scene but also demonstrates Bannister's skill in creating atmospheric mood and depth with his brushwork.Edward Mitchell Bannister, known for his landscapes that often evoke a sense of tranquility and harmony with nature, here beautifully conveys his vision of pastoral beauty and the simple, unaffected grace of the natural world. This painting invites viewers to pause and reflect, offering a moment of peace away from the bustling pace of contemporary life.

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Edward Mitchell Bannister (November 2, 1828 – January 9, 1901) was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.