Near Taussadon [Tashicho Dzong] (1783)

Technique: Giclée quality print
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More about this artwork

The painting, “Near Taussadon [Tashicho Dzong]” (1783) by Samuel Davis, offers a serene and meticulously captured glimpse of the historic Tashicho Dzong in Bhutan. This artwork reflects the unique architectural style typical of Bhutanese dzongs, which serve both religious and administrative functions. The composition is focused around a large, bold structure with a prominent entryway that stands in the foreground, strongly anchoring the scene.Davis's use of light and shading brings out the textures of the stone walls and wooden elements of the building. His attention to detail extends beyond the architecture, capturing the life surrounding it as well. In the foreground, a group of Bhutanese figures are depicted in traditional attire, engaged in what appears to be a leisurely conversation, adding a human element to the tranquil architectural study.The background features soft, undulating hills that suggest the vast, hilly terrain of Bhutan. A light, misty atmosphere envelops the distant mountains, contributing to the overall calm and mystical aura of the painting. This artwork not only captures a moment in time but also beautifully portrays the integration of human activity and grand architectural forms within the natural landscape of Bhutan.

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Samuel Davis was an English soldier turned diplomat who later became a director of the East India Company (EIC). He was the father of John Francis Davis, one time Chief Superintendent of British Trade in China and second governor of Hong Kong.