The sphinx of the period (1898)

Technique: Giclée quality print
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More about this artwork

Welcome to our exploration of Udo Keppler's captivating painting, "The Sphinx of the Period," created in 1898. This intriguing artwork offers a powerful commentary on the industrial era melding ancient symbols with modern warfare.At first glance, the viewer is met with the striking image of a sphinx, a mythical creature with the head of a human and the body of a lion, traditionally symbolizing wisdom and strength. However, Keppler's sphinx is not just a relic of the past but a foreboding symbol integrated into the hull of a formidable battleship. The merging of these elements suggests a critical view of contemporary society's infatuation with technological progress and military power, hinting at the potential consequences of such endeavors.The sphinx’s serene, almost melancholic expression contrasts sharply with the cold, hard steel of the warship it adorns. This juxtaposition may reflect the artist's concern about the dehumanizing effects of modern warfare technology. The detailed illustration of the ship showcases multiple gun barrels and an armored exterior, emphasizing the destructive power at humanity’s disposal.In the background, we see minimalistic representations of architectural structures, possibly indicating human civilization's achievements overshadowed by its martial aspirations. A lone figure, possibly a sailor or craftsman, stands on a platform, dwarfed by the massive scale of the warship and the sphinx. This adds a layer of perspective, showing the small role an individual plays in the grand scheme of technological advancements and warfare."The Sphinx of the Period" serves as a provocative piece that encourages viewers to reflect on the impact of their society’s choices and the legacy they leave behind.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.