How the peace congress receives its first practical suggestion (1913)

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In the satirical painting titled "How the Peace Congress Receives Its First Practical Suggestion," created by Udo Keppler in 1913, we are invited to an animated scene captured during a fictional international peace congress. This vibrant painting, rich in both color and content, features a chaotic and resistant gathering of diverse international leaders and military figures, all vividly representing their unique national identities through their traditional and military garments.The central figure in this image, a dignified man in a suit, stands calm and composed in contrast to the surrounding disarray. He holds a paper that reads, "Let all nations discontinue the building of battle-ships for one year," underscoring the proposal for disarmament put forth by American Secretary of State William Jennings Bryan—an appeal aimed at mitigating the arms race and fostering global peace. His serene demeanor and straightforward suggestion starkly juxtapose with the aggressive and scornful reactions of the other diplomats and military officials, who appear embroiled in physical altercation and heated debate.Keppler's use of caricature and exaggeration emphasizes the skepticism and reluctance of world powers to embrace disarmament, reflecting the pre-WWI international tensions and the widespread skepticism about the effectiveness of peace movements at the time. The artist cleverly uses humor and irony to critique the unwillingness of global leaders to prioritize peace over nationalistic and militaristic agendas.Overall, Keppler's work is a poignant reminder of the challenges faced in the pursuit of peace, using visual satire to highlight the often contradictory nature of international diplomacy.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.