Children in a Garden (The Nurse)

Technique: Giclée quality print
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More about this artwork

"Children in a Garden (The Nurse)" by Mary Cassatt captures a serene moment of everyday family life, set within the blooming expanse of a garden. This Impressionist painting draws viewers into a gentle, private world where a nurse, adorned in a light blue dress and white apron, attends to two young children. The baby, swathed in white, lies peacefully in an ornate blue pram bathed in dappled sunlight, while another young child, half-hidden and absorbed, plays nearby. The lush garden around them is rendered in broad, vibrant strokes of green interspersed with pops of white and pink flowers, creating a soft yet textured background that envelops the subjects in nature’s embrace.Cassatt, renowned for her sensitive portrayals of children and women, uses light and color to evoke a warm, nurturing atmosphere. Observers are invited to reflect on the quiet, tender moments of childcare, a theme that Cassatt returned to frequently, highlighting the quiet strength and dedication of women in nurturing roles.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.