Queen Henrietta Maria (1636)

Technique: Giclée quality print
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More about this artwork

Anthony van Dyck's captivating portrait of Queen Henrietta Maria, painted in 1636, is a masterful depiction of Charles I's queen consort. This painting showcases Van Dyck's exceptional skill in capturing the elegance and sophistication of royal subjects, which helped secure his reputation as a leading court painter in England during the 17th century.In this portrait, Henrietta Maria is dressed in a striking golden gown with a low-cut, lace-trimmed bodice, a signature style of the period that exudes regality and grace. The texture of the fabric is rendered with meticulous attention to detail, reflecting the light and emphasizing the luxurious nature of her attire. Adorning her neck is a string of pearls, complemented by a jeweled brooch at her chest, underscoring her royal status.Her pose is poised yet gentle, with her hands delicately clasped before her, which, along with her direct gaze, creates an intimate connection with the viewer. The soft curls of her hair, lightly framing her face, add to the overall gentleness of the composition. Henrietta's expression, imbued with a subtle melancholy, hints at the complex persona behind her royal facade.This portrait not only captures the physical likeness of Queen Henrietta Maria but also eloquently conveys her character and the aesthetics of an era.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Sir Anthony van Dyck (1599 – 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.

The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work.