Let boss Platt beware (1897)

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The vivid work "Let Boss Platt Beware," created by artist Udo Keppler in 1897, is a striking example of political satire from the late 19th century. This colorful lithograph showcases a caricatured figure, clad in an ornate, colonial-style costume, bursting forth from a set of chains labeled "ICE BOYCOTT" and "GLASS BOTTLE TRUST," signifying his escape or rebellion against these constraints.In the background, a building resembling Philadelphia's Independence Hall can be seen, which might be a symbolic gesture towards American political freedom and the struggle within the framework of political power at the time. The broken shackles at the figure's feet further emphasize the theme of breaking free from oppressive control. The discarded top hat adorned with a white label stating "Controller Hitchcock" hints at specific political figures or entities, suggesting their influential yet possibly overbearing roles during the time.The figure's exaggerated expression and the dramatic pose, coupled with squiggly lines that emerge from his head as if to symbolize shock or sudden realization, inject humor and convey the intense emotion of the scene. Udo Keppler, known for his work as a cartoonist at Puck magazine, often used such imagery to comment on politics, society, and the dynamics of power."Let Boss Platt Beware" stands as a testament to the enduring nature of political art. It invites viewers to reflect on the historical context of its creation while appreciating its relevance in discussions about power, influence, and governance.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.