Portrait of a Young Woman Reclining (1897–1898)

Technique: Giclée quality print
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More about this artwork

"Portrait of a Young Woman Reclining" (1897–1898) by Gustav Klimt captures the ethereal and contemplative essence of its subject with delicate grace. This exquisite sketch, rendered in subtle pencil tones, depicts a young woman lying back against a soft pillow, her gaze serene yet penetrating.Klimt's mastery in portraiture is evident in the detailed drawing of the woman’s facial features, which convey a sense of quiet introspection and subtle melancholy. The simplicity of the medium enhances the emotive quality of the work, bringing the viewer closer to the subject’s tranquil mien. Her voluminous, softly textured hair frames her face and cascades around her, adding to the sensuous atmosphere of the composition.Notably, Klimt’s skilled use of light and shadow invokes a three-dimensional feel, despite the monochromatic palette. The delicate lines of her attire suggest a fin-de-siècle aesthetic, representative of the era’s fashion and Klimt’s attention to contemporary detail."Portrait of a Young Woman Reclining" is a testament to Klimt's ability to capture the human spirit with intimacy and tenderness, making it a compelling piece for both admirers of Klimt's work and enthusiasts of art history.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Gustav Klimt (1862–1918) was one of the greatest Austrian symbolist painters of the Art Nouveau era. Renowned as one of the most prominent founding members, and as a president of the Vienna Art Nouveau movement (Vienna Secession). His works were mainly paintings, murals, and sketches. Marked by his numerous erotic drawings, Klimt's primary subject were female figures, and at one point his work was even criticized as pornographic. Klimt found financial success in his "Golden Phase" with decorative techniques and the prominent use of gold leaf in his paintings.